Sidney Lau Kantonesisch Romanisierung Pronunciation Guide – Tones Kantonesisch Tones:Each row of the Tones table contains: - the Sidney Lau System representation of a Kantonesisch tone,
- a description of the tone,
- a Kantonesisch example word (or two) in that tone,
- the Kantonesisch character(s) for the Kantonesisch example word(s),
- the meaning(s) of the Kantonesisch example word(s),
- optional comments.
Tone Symbols | English Explanation | Example Word(s) | Example Character(s) | Example Meaning(s) | Comments | Audio |
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N° | high flat | si1°
ga1 je2° | 詩
家姐 | poem
elder sister | 1° signifies the high flat tone. If ° appears after tones 2, 3, 4, 5, or 6, it signifies that the word should be pronounced in tone 1°, and that 1° is not the original/normal tone of the word. | | 1 | high falling | tim1 | 添 | Final Particle expressing the idea of addition or regret. | In modern Hong Kong Kantonesisch, very few words are spoken in this tone. This is one of the few exceptions. | | 2 or N* | mid rising | si2
nui5* | 屎
女 | excreta
daughter | If * appears after tones 1, 3, 4, 5, or 6, it signifies that the word should be pronounced in tone 2, and that 2 is not the original/normal tone of the word. | | 3 | mid flat | si3 | 試 | try | | | 4 | low falling | si4 | 時 | time | | | 5 | low rising | si5 | 市 | city | | | 6 | low flat | si6 | 是 | is | | |
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In the Martha Lam and Stanley Po system, the tones are represented by diacritics (i.e. symbols written above the words). Note that the high falling tone and high flat tone are not differentiated – they are written in the same way, and both pronounced in the high flat tone. Sidney Lau Tone Symbols | N° | 1 | 2 or N* | 3 | 4 | 5 | 6 |
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Sidney Lau Example | ba1° | ba1 | ba2 | ba3 | ba4 | ba5 | ba6 |
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Martha Lam Stanley Po Diacritic | o | o | / | – | \ | ˘ | = |
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Martha Lam Stanley Po Example | bå | bå | bá | bā | bà | bă | ba |
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Thanks for reading these pages! I hope they help you learn some Kantonesisch. Contact me using the link below if you have any questions, comments, or bug reports. |
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